New Roots!

Very happy to share that Tremolo was a Finalist for a 2025 New Roots Artist Residency at Walhalla Farm! I’m gonna wiggle my way in there eventually!

May @ Millay!

Hi from the Millay Arts Residency, where I’ll be spending the next three or so weeks writing! By which I mean, procrastinating! I am taking many long walks while listening to the Pride and Prejudice film soundtrack, I have seen a shooting star, and I have already found one (1) tick in my hair—a situation I handled calmly, maturely, and gracefully.*

*I had a huge meltdown.

Terrence McNally New Works Incubator!

Really happy to share that Tremolo was a semifinalist for the 2025 Terrence McNally New Works Incubator at Rattlestick Theater in NYC! I met Terrence very briefly at Williamstown Theatre Festival in 2014, and it’s a total honor to have had my work considered alongside his formidable legacy. Go read a Terrence McNally play today!

2025 O'Neill National Playwrights Conference Finalist!

Thrilled to share that Tremolo is a Finalist for the 2025 Eugene O’Neill National Playwrights Conference! I’m so grateful to be on this list with so many writers I know and/or admire. Check out all of their plays, and! If you want to read Tremolo, reach out— OR you can see our public presentation with Fault Line Theatre’s Irons in the Fire on Monday, June 16 at 6:00pm! More on that soon!

Juilliard!

Now that I’ve confirmed this isn’t some huge administrative oversight and/or a really elaborate prank, I’m really happy to share that I’m going to be a fellow in the Lila Acheson Wallace American Playwrights Program at The Juilliard School under the mentorship of Tanya Barfield and David Lindsay-Abaire :) This has been a dream of mine for years and years and years—I’m shocked and grateful and over the moon, and can’t wait for all the sleepless nights of writing to come!

March!

Hello hello! Happy Spring! How are we doing?! Don’t answer that!

Popping on to say that we had a two day internal read through of Tremolo through Fault Line Theatre’s Irons in the Fire this past week! It was directed by Sammy Zeisel with dramaturgy by Anna O’Donoghue, and featured Barsha, Sagan Chen, Francesca Fernandez, Claire Karpen, Ella Pennington, Susannah Perkins, Laila Robbins, and Amelia Workman. I pulled an all nighter between the first day and the second to write a new draft (I do not recommend this lifestyle!!!), and the cast was just so generous with their time and talents. It was completely moving and productive, and I loved every second of it.

More to share soon, but in the meantime, here’s a picture of the fuel I used to power my all nighter. RIP Anton Chekhov, you would have loved Hot Cheetos.

Bye!

P.S. I really loved this season of The White Lotus!!!

Irons in the Fire!

Happy New Year! Some lovely news to start 2025— Tremolo was selected as one of Fault Line Theatre’s 2025 Irons in the Fire projects! I’m super humbled to see my name next to so many artists I admire—and can’t wait to work on this big beast of a lesbian Chekhov adaptation this year.

More soon but in the meantime, I had to have an emergency root canal last week and everything hurts—so I’m gonna celebrate by popping some Advil and eating applesauce. Bye!

October/November!

Excited to share that I’ve signed with Jamie Kaye- Phillips at Paradigm Talent Agency for Literary Representation! So if you wanna get to ME, you gotta go through HIM*! 

*Unless you want to talk about Mamma Mia. Please, I beg you—direct any/all inquiries about the Mamma Mia cinematic universe to me.

Some other updates:

-burn for You was a second rounder for the Austin Film Festival! Here’s a list of the other finalists—very excited to be included with these playwrights!

-I’m a member of the 2024-2025 Playwrights Cohort at Play Penn! 

Okay, I need to go consume something autumnal or I’ll fall into the sea. Bye!

Industry Reading!

An industry reading was held for my play burn for You last night. The reading was directed by Danya Taymor, with dramaturgy by Anna O’Donoghue, featuring Julian Cihi, Jeb Kreager, Naomi Lorrain, Julia McDermott, and Taylor Schilling. I felt like the luckiest playwright in the world!

2024-2025 Vitality Playwrights Commission

In May, I was awarded a 2024-2025 Vitality Playwrights Commission from the Appalachian Center for the Arts to write a TYA play about opioid addiction for grades 9-12. The play I wrote, The Zero Point, is about high school girls wrestling, Fortnite, and the multiverse. It will tour Kentucky high schools starting in 2025—which is especially meaningful on a personal note, as I spent a year and a half living and working in Louisville, Kentucky at Actors Theatre of Louisville! My brother in law wanted me to call the play HIGH School but….for obvious reasons, that title didn’t make the cut. Here’s a link to the press release! More soon! Kentucky forever! Happy September!

New Play!

Oh hey! How’re we all doing in these last couple weeks of summer? I am jumping in any and all bodies of water I can find, and eating any and all tomatoes I can get my hands on.

And! I have a new play! It’s called Tremolo. It’s a queer reimagining of Chekhov’s The Seagull set on the dock of a dark lake exploring intergenerational found family, ambition, commitment, heartbreak, and depression. It’s over 3 hours long! The set is a dock with water! There are 8 lesbians, a baby, and animals onstage! I’m proud of it. I think Jez Butterworth would be, too.

We did a wee internal reading last night (facilitated by my brilliant friend and collaborator Sammy Zeisel) with a group of brilliant actors, and I’m excited to continue working on it. Check out more about the play here or on New Play Exchange!

Alright, I’m gonna go eat a tomato. Bye!

The Road: Summer Playwrights Festival 2024!

Writing this post on the plane back to New York after a fantastic reading of burn for You last night at The Road Theatre Company’s 2024 New Play Festival in Los Angeles! Couldn’t have asked for a better team to work with, and I continue to learn so much about the play.

Back to Brooklyn to finish two more plays, and continue swimming in any/all bodies of water this hot, hot summer. More soon!

GPTC 2024!

I had such a wonderful week workshopping burn for You at the 2024 Great Plains Theatre Commons in Omaha, Nebraska from May 25- June 2! The staff and attendees of the conference couldn’t have been kinder, and I can’t say enough good things about the nine playwrights I spent the week with. Go read all of their plays on New Play Exchange!

Pictured with the team for my reading; from left to right (standing): Khalid Long (dramaturg), Vernon Wheeler (Evan), Jessica Johnson (Lila), Adam Bassing (Mark Lucas), Kaia Merrell (design fellow), Analisa Swerczek (Franny), and Kate Madsen (stage directions); from left to right (sitting): me, Marie Schuett (Beth), and Mackenzie Zielke (director).

I lucked out with such a generous, gifted team for my reading, and learned so much about the play. I especially loved collaborating with design fellow Kaia Merrell on some possibilities for what the world of the play might look like; it makes me so excited for a future production.

Some of design fellow Kaia Merrell’s sketches for burn for You’s design presentation.

Otherwise, I spent the week exploring Omaha (shoutout to The Mill on Leavenworth, Coneflower Creamery, and Yoshitomo), and celebrated my birthday!

2024 O'Neill National Playwrights Conference Finalist!

Over the moon that “burn for You” was recognized as a finalist for the 2024 Eugene O’Neill Theatre Center’s National Playwrights Conference! My play was in the top 1% of over 1,500 submissions, and I was so proud to see my name next to so many people I love and admire. This is a special one, too, because my first professional job post grad was at the O’Neill! Hit me up if you want to read the play, but also hit me up if you’d like to take me out for a celebratory spritz. Or a consolation spritz? Whatever floats your boat!

Great Plains Theatre Commons!

Really pumped to share that burn for You was selected for the 2024 New Play Conference at Great Plains Theatre Commons! I’ll be in Omaha, Nebraska workshopping the play from May 25-June 2, and can’t wait to meet the other nine playwrights. My birthday is May 31, so if there’s a good place to grab a cupcake and/or birthday spritz in Omaha, let a girl know!

Hey, 2024!

Happy New Year! It’s been a minute! As in…a whole 11 months of a minute!

Here’s how the rest of 2023 shook out:

• In March, I wrapped up my year as a member of Echoes Emerging Writer’s Group at Primary Stages! I continue to be so grateful for all I learned from my cohort of playwrights: Ang Bey, Kim Brockington, Jess Ducey, Lingyue, Ashil Lee, Max Raymond, and April Soetarman, as well as our leaders, Erin Daley and Claudia Acosta.

• In May, I spent a week working on a beautiful new play at The Public Theatre.

• In June, my play burn for You had a one day developmental reading led by Luke Harlan, with Blair Baker, Joe Curnutte, Shayna Small, Sky Smith, and Claire Siebers in the cast! Anna O’Donoghue, who has championed this play since its early days, served as the dramaturg!

• In July, I was a two time semi finalist for residencies at New Roots in upstate NY!

• In October, a short film I starred in last year, Sweetgreen, premiered at Newfest! Written and directed by the wonderful Phillip Vernon.

• Also in October—I got to work on an awesome new play, Lemuria, by Bonnie Antosh—directed by my frequent collaborator and dear friend, Pirronne Yousefzadeh.

• And in December, I was a semi finalist for Ars Nova’s Playgroup!

Lots of other good/bad/wonderful/hard stuff happened this year. But we made it to the other side, and on this blog, we take the wins as they come, baby!

In January I got some lovely news about burn for You that I’m excited to share later this year, am hard at work on new stuff, and excited for all the hope and possibility of 2024.

Primary Stages' Echoes Writers Group: Final Presentations!

A 20 minute excerpt of my new play burn for You will have a public presentation tomorrow, Tuesday, March 28th at 7:00pm at 59E59 Theaters to culminate the 2022-2023 Echoes Writers Group at Primary Stages! My excerpt is directed by Kate Moore Heaney, featuring the (dreamy) talents of Alton Alburo, Erin Anderson, Paige Gilbert, Sean McIntyre, and Claire Siebers. RSVP form here! Did I mention it’s free?

I’ve learned so much from my cohort of writers over the last several months, and can’t wait to see what’s next for this play.