Hi! I’m Regan Moro— a playwright and actor originally from the North Country of upstate New York, now based in Brooklyn. Thanks for stopping by!
I received my BFA from the University of Michigan, spent a year as an apprentice at Actors Theatre of Louisville, and am an incoming fellow in the Lila Acheson Wallace American Playwrights Program at The Juilliard School. Otherwise, I’m the middle of three sisters, the funny gay aunt to four little boys, and make a mean bowl of pasta.
My play burn for You recently received an industry reading directed by Tony Award winner Danya Taymor, was a Finalist for the 2024 Eugene O’Neill National Playwrights Conference, received developmental readings at the 2024 Great Plains Theatre Conference and the 2024 Road Theatre Company Summer Playwrights Festival, and was a second rounder for the 2024 Austin Film Festival. My play Tremolo is a 2025 Irons in the Fire project for Fault Line Theatre, a Finalist for the 2025 Eugene O’Neill National Playwrights Conference, and a semifinalist for the 2025 Terrence McNally New Works Incubator. I was a member of the 2022-2023 Echoes Emerging Writer’s Group at Primary Stages, am under commission from the Appalachian Center for the Arts, and have received a residency from Millay Arts. I’m represented by Jamie Kaye-Phillips at Paradigm Talent Agency. Here’s a link to my New Play Exchange!
As an actor, you might have seen me in the third season of HBO’s Succession. If you skipped the third episode, watch that now and come back! Or you can watch my scene with Jeremy Strong here.
Done? Awesome. I’ve also acted in and developed plays at Actors Theater of Louisville, The Public Theater, Playwrights Horizons, La Jolla Playhouse, Ojai Playwrights Conference, Cleveland Playhouse, Geva Theatre Center, Syracuse Stage, New Georges, and more— here’s my resume and headshot.
Here’s some things I love: peonies, buffalo wings, Anne Carson, ice cream, swimming, salt and vinegar chips, the movie Tár, and a good button down shirt. Here’s some things I don’t love: mushrooms, cynics, oatmeal, the pressure to make plays 90 minutes/ no intermission/unit set, and rodents.
If you want me to be in your play or read one of mine, here’s how you can contact me.
Okay, bye!
